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The artist René Magritte completed a painting of a pipe and coupled it with the words “Ceci n’est pas une pipe.” Magritte called the painting La trahison des images, “The Treachery of Images.”
Magritte’s assumption was almost diametrically opposed: that images in and of themselves have, at best, a very unstable relationship to the things seem to represent,one that can be sculpted by whoever has the power to say what a particular image means. For Magritte, the meaning of images is relational, open to contestation. At first blush, Magritte’s painting might seem like a simple semiotic stunt, but the underlying dynamic Magritte underlines in the painting points to a much broader politics of representation and self-representation.
Reflect on the relationship between labels and images in a machine learning image classification dataset. Who has the power to label images and how do those labels and machine learning models trained on them impact society?
Review Excavating AI: The Politics of Images in Machine Learning Training Sets by Kate Crawford and Trevor Paglen.
Excavating AI: The Politics of Images in Machine Learning Training Sets